The three musical settings of texts by Harald Forss have a scaled-down, almost naïve character to them, which allows the texts show themselves with exceptional clarity. Intermezzo for string quartet,.d. Work as a librarian and composing debut. When he began school he could play the organ and read musical notation and he often accompanied the obligatory hymn singing. Organ Organ piece, 1951. Chamber music Lento espressivo (from Miniatures for string quartet 1947. However, his condition continued to deteriorate and in June of 1953 he died at his home in Sundbyberg.
Musikbussen lennart hellsing - Swedish Musical Heritage - Göte Carlid
Although the sonata seems to revolve around C as a tonal centre, it also has aesthetic elements from serial music. He took the name Carlid around 1942. Triad for saxophone and piano, 1950. 2, string quartet, 1948. Sonata (later renamed Sonata lyrica). Other hamnen extant works Orchestra Moderato quasi lento for symphony orchestra D major, 1942. Voice and piano Helt alene (T. At 12 years of age he showed so much talent that Siedberg wanted him to continue studying in Stockholm in order to get a degree in organ lock performance, but Carlid declined. Chorale (from Miniatures for string quartet.d. He had also become interested in jazz and poetry and won several prizes in the school association Brages poetry competitions.
Monologer for piano that have a modernistic feel that occasionally blossoms out into a melodic motif and magnificent sonorous formations. He wanted to be independent of doctrines and, as Ingvar Bengtsson wrote. I am almost beginning to become a legalized composer. His own pathways, carlid belonged to the same generation as the members of the Måndagsgruppen (a group of composers, musicians and musicologists who met regularly to discuss music) and was sometimes a guest at their gatherings. Bengtsson, Ingmar : Den unga svenska musiken, Prisma,. I drömmens ljusblå himmelsal. Voice with piano Sånger till hjärtats syster, 1943. Quasi lento ed elegiaco,.
That same year Carlid married Ingegerd Mårtensson, a young academic. Monologues (Tranquillamente cantando Presto con fuoco Tranquillamente cantando 1950. Wallin, Nils : Radikal eller traditionalist?, Röster i Radio,. String quartet in D major,.d. Carlid had taken the texts for. Det är kinesiskt, tycker du om det?, divertimento for flute, 2 clarinets and turkisk cello, 1949. Carlids studies were focused on a career as a librarian and he received his BA degree in 1943. During his final years, Carlid spent long periods being treated for his illness munsår at the Radiumhemmet in Stockholm.
This also applies to his three. Hymnes à la beauté from Charles Baudelaire's, les Fleurs du mal and musically he moves, as he did. Carlid often began with a short theme with an open and unfinished character, which he revised associatively and expanded into related patterns and motifs. At the same time he decided to focus full-time on his composing. Estetiska och sociala aspekter på svensk konstmusik, diss.
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Natten har kommit,. Göran Persson 2016, trans. Eine kleine Teemusik motto: Du borde vara här vid mitt ensamma. From there they moved to Visby and there Carlid took organ and piano lessons from the cathedral organist, Ludvig Siedberg. Triad for alto saxophone and piano, the theme emerges with an initial short ascending motion in the saxophone part and a tonally anchored accompaniment figure in the piano part. Monologer, in a musical landscape of both modernisms influences and contemporary musics more tonally oriented currents. Kvällsstycke för trött ofta poet, 1946.
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After returning to Sweden he began to show early signs of the disease that, just a few years later, caused his premature death: Hodgkin's disease, a cancer of the lymphatic system. Höstsång vid de tre ödegårdarna (Å. In the lyrical and atmospheric single-movement. Works accepted by Göte Carlid: String orchestra Notturno for string orchestra (with flute ad lib 1945. Mass for strings, 1949. Det blir så stilla,.
Collected works Göte Carlid refused to acknowledge, with few exceptions, any works composed before 1948. 1, Letters from foreigners to Torbern Bergman. He organized a performance by Stig Dagerman, Erik Lindegren and Harald Forss at a literary evening at the city library. Göte Samuel Carlid (née Carlsson a composer, librarian and a scholar of the history of ideas, was born in Sandviken on 26 December 1920 and died on in Sundbyberg. Because of Carlids strong interest in poetry, vocal music was a natural expressive form for him.
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and his expressive music often emanated from a sonorous rather than a melodic perspective. Deutsch, better known under his pseudonym Paul Patera, Carlid developed his network within the music circles of Uppsala. He spoke several languages fluently, and was also well versed in Old French and medieval German. Höjer, Olof : Göte Carlid och hans musik: biografiska och stilanalytiska anteckningar, seminar essay in musicology, Stockholm University, 1965. Parallel with his studies, he worked at the Enköping city library where he, with his strong interest in literature and access to the library, gladly arranged various cultural events. Ditlevsen voice and piano, 1948. Two shorter pieces likely for harpsichord,.d).
Forum for contemporary music, at the turn of the New Year in 1948 Göte Carlid moved to Sollentuna where he had been hired as a librarian. Smärre pianostycken, dedicated to Paul Patera, which was the first piece that Carlid accepted thus receiving the opus number. Å, jag minns denna kväll,. Detta är tystnadens sjö,. He debuted in 1943 as both a composer and pianist when he, together with the poet Harald Forss and the singer david Palmroth, gave an evening of poetry at the Örebro concert house. The following year they both took a long trip, visiting Switzerland, Italy and France where a highlight was meeting Pierre Boulez and his music. They had two children, a son Mats Ture (b. In 1950 Ulla and Göte Carlid divorced. Den ro jag kände,.
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Carlid then burned a large part of his earlier compositions, and only a small number of compositions from his younger years are extant. Rangström was positive but considered Carlids knowledge of counterpoint and orchestration to be quite lacking. Intuition was his way of approaching music and in his music he tried to capture the inner monologue and hear the inner melody, which he meant could only happen by totally freeing yourself from all forms of standard thinking. Two years later Göte Carlid married Ulla Ljungwall, and it was likely in connection with this that he changed his name to Carlid. In the autumn of 1948, with his activities in Uppsala as a model, Carlid founded a chamber music society in Stockholm that would be a forum for contemporary music. Höjer, Olof: Göte Carlid en tonsättare vid 40-talets slut, in: Nutida munsår Musik,. Romantic suite for orchestra, based on four poems by harald forss. Piano Minor piano pieces, opus 1 (Tema Romans Caprice Elegi ca 1947. During the years that followed he worked as a trainee at several different libraries and in 1945 he again took up his studies, which led to receiving his licentiate in 1950.